| Weight | 1450 g |
|---|---|
| Artist | |
| Dimensions | Outer size 46.5*36.5 / Inner size 32*42 (cm) |
| Material | Marble |
| Technique | Watercolor |
ارسال بر اساس انتخاب کشور با هزینه حمل و نقل تقریبی 63/000/000 می باشد و تحویل تخمینی بین 13 تا 19 خرداد است.
The above work can be safely called one of the most beautiful and special paintings of Marmaris.
This time Naqsh Jahan Square of Isfahan is drawn in this painting from a completely different angle and perspective that we have never seen before.
The Imam Mosque with its turquoise dome, beautiful garlands and arched entrance is located at the top of this painting. Interestingly, the dome of the Sheikh Lotfollah Mosque and the second floor of the Aali Qapu mansion are also depicted in the painting, but there is no mention of the lower halves, and in fact their bases have disappeared.
The details drawn in this picture are amazing; The pond in the middle of the square, partially obliterated and partly visible, the ripple of water on the side of the pond, even the reflection of possibly people standing on the south side of the pond, to the outline of a person standing with a cane on the west side! Two single pine trees, which are apparently drawn to represent all the pine trees around the square pond, the cells above Naqsh Jahan Square and…
Another admirable detail in the wall painting is the space between the Ali Qapu mansion and the dome of the Shah Abbasi Mosque, which is the same as Safa Mountain in Isfahan, which Mahnoor Maliki initially separated from the sky above his head with clear and dark lines. and then connected to the sky from the dome of this space.
If we skip the details of Naqsh Jahan Square, we will reach a mysterious sky in the upper half of the painting. The sky with various colors of purple, white, turquoise blue, yellow, etc. is more like a galaxy than the sky we know. In this mysterious sky, Mahnoor Maliki has used the space of stone veins so much that these veins are no longer distinguishable from the space of painting and are interwoven with colors.
Unlike most Marmaris products, the polyester of this particular work has been executed in a matte form to increase the attractiveness of the work.
To clean the products, it is enough to use a soft and wet cloth. Due to the living texture of marble and the incompatibility of polyester with water, it is suggested that the product should not come into direct contact with water
Wall Painting
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Marmaris is the name of a new and captivating handicraft. Wood inlay, enamelwork, penmanship, and turquoise inlay are familiar names in the world of handicrafts that we often hear. Marmaris, however, is the new and young member of this family that has come to be a valuable heir to its ancestors. Marmaris is the art of painting on marble.